A tiny show guiding you through the rocky landscape of museums. Museum Archipelago believes that no museum is an island and that museums are not neutral.
Taking a broad definition of museums, host Ian Elsner brings you to different museum spaces around the world, dives deep into institutional problems, and introduces you to the people working to fix them. Each episode is never longer than 15 minutes, so let’s get started.
June 17th, 2019 | 14 mins 35 secs
The most-visited room in the most-visited science museum in the world reopened last week after a massive, five year renovation. Deep Time, as the new gallery is colloquially known, is the latest iteration of the Fossil Hall at the Smithsonian’s National Museum of Natural History in Washington, DC.
June 3rd, 2019 | 11 mins 8 secs
archiving, sarah nguyen
Everything decays. In the past, human heritage that decayed slowly enough on stone, vellum, bamboo, silk, or paper could be put in a museum—still decaying, but at least visible. Today, human heritage is decaying on hard drives.
Sarah Nguyen, a MLIS student at the University of Washington, is the project coordinator of Preserve This Podcast, a project and podcast of the same name that proposes solutions to fight against the threats of digital decay for podcasts. Alongside archivists Mary Kidd and Dana Gerber-Margie, and producer Molly Schwartz, Nguyen advocates for Personal Digital Archiving, the idea that for the first time, your data is under your control and you can archive it to inform future history. Personal archiving counters the institutional gatekeepers who determined which data and stories are worth preserving.
In this episode, Nguyen cautions that preserving culture digitally comes with its own set of pitfalls, describes the steps that individuals can do to reduce the role of chance in preserving digital media, and why automatic archiving tools don’t properly contextualize.
May 13th, 2019 | 13 mins 33 secs
The Space Shuttle Atlantis Experience, which opened at Kennedy Space Center Visitor Complex in Cape Canaveral, Florida in 2013 brings visitors “nose to nose” with one of the three remaining Space Shuttle orbiters. The team that built it used principles of themed attraction design to introduce visitors to the orbiter and the rest of the exhibits.
Atlantis is introduced linearly and deliberately: visitors see two movies about the shuttle before the actual orbiter is dramatically revealed behind a screen. The orbiter’s grand entrance was designed by PVAG Destinations, whose portfolio includes theme parks and museums. Diane Lochner, a vice president of the company who was part of the architectural design team, says that without that carefully-planned preparation, visitors wouldn’t have the same powerful emotional reaction to the Shuttle.
In this episode, Lochner is joined by Tom Owen, another vice president at PVAG Destinations to talk about the visitor experience considerations of the Shuttle Atlantis Experience, whether attractions engineered to create a specific emotional response in visitors are appropriate for museum contexts, and the broader trend of museums taking cues from theme park design.
April 29th, 2019 | 9 mins 57 secs
mona, museum of old and new art, tasmania
The Museum of Old and New Art opened in Hobart, Tasmania, Australia in 2011. With a name like that, MONA could include any type of art. But looking at the collection, it’s clear that its creator, millionaire gambler David Walsh, has a fascination with sex and death -- and bets that the rest of us do too.
Walsh himself calls MONA a “subversive adult Disneyland.” The building’s architecture is designed to make you feel lost, and the art is displayed without any labels whatsoever. It’s just you and the art.
In this episode, Hobart-based musician Bianca Blackhall talks about how she’s watched MONA reshape the creative community and art landscape of the island, what makes the museum different from other art museums, and how Hobart is now in “Sauron's Eye of tourism.”
April 15th, 2019 | 14 mins 32 secs
david gough, tasmania, tiagarra
The displays at the Tiagarra Cultural Centre and Museum in Devonport, Tasmania, Australia were built in 1976 by non-indigenous citizens and scientists without consulting Aboriginal Tasmanians. David Gough, chairperson of the Six Rivers Aboriginal Corporation, remembers visiting the museum when he was younger and seeing his own culture presented as extinct.
Today, Gough is the manager of Tiagarra. When he took over, one of the first things he did was put masking tape over the inappropriate and incorrect descriptions and write in the correct information. As Gough explains, racist language covered up and written over by the very people it describes is the perfect metaphor for what Tiagarra was in the past and what it is going to be in the future.
On this episode, Gough and fellow Six Rivers Aboriginal Corporation board member Sammy Howard give a special tour of the museum, describe using the museum to educate members of their community and the wider public, and discuss the future of Tiagarra.
April 1st, 2019 | 14 mins 44 secs
female factory, jody steele, tasmania
Penal transportation from England to Australia from the late 1700s to the mid-1800s was used to expand Britain's spheres of influence and to reduce overcrowding in British prisons. The male convict experience is well-known, but the Cascades Female Factory in Hobart is at the center of a shift in how Australians think of the role that female convicts played in the colonization of Tasmania.
Dr. Jody Steele, the heritage interpretation manager for the Port Arthur Historic Site Management Authority, which includes the Female Factory, says that having a convict ancestor used to be considered shameful. But in the past 20 years, attitudes have shifted dramatically. Sites like the Female Factory, the Female Convicts Research Centre, and a general interest in geological research have helped the public better understand how the forced labor of women built the economy of the island.
Today, the museum is on the cusp of a major renovation. Dr Steele describes how the proposed design, chosen by an all-female panel, will present the female convict experience in Tasmania.
March 18th, 2019 | 14 mins 28 secs
The fight for racial diversity in museums and other cultural institutions is not new: people of color have been fighting for inclusion in white mainstream museums for over 50 years. Dispose these efforts, change has been limited. A 2018 survey by the Mellon Foundation found that 88% of people in museum leadership positions are white.
Stephanie Cunningham has a clear answer for why these white institutions aren’t changing: “When you’ve been practicing exclusion for so long, you can’t change overnight.” That’s one of the reasons why she co-founded Museum Hue with Monica Montgomery in 2015.
In this episode, Cunningham traces Museum Hue’s trajectory from a small collective to a national membership-based organization, and spells out why being a well-meaning institution is necessary but not sufficient for equity in the field.
March 4th, 2019 | 14 mins 1 sec
There’s a new tool in young-Earth creationists' quest for scientific legitimacy: the museum. Over the past 25 years, dozens of so-called creation museums have been built, including the Answers in Genesis (AiG) Creation Museum in Kentucky. Borrowing the style of natural history museums and science centers, these public display spaces use the form and rhetoric of mainstream science to support a belief in the literal truth of the Bible, including the creation of the universe in six days about 6,000 years ago.
In her 2009 thesis, “Faith Displayed As Science: The Role of The Creation Museum in the Modern Creationist Movement”, Julie Garcia visited the AiG Creation Museum and three other creation museums: The Creation Evidence Museum in Glenrose, TX, Dinosaur Adventureland in Pensacola, FL, and the Institute for Creation Research which is near San Diego, CA.
In this episode, Garcia discusses her findings and explores why museums are a particularly well-suited medium for creationist ideas.
February 11th, 2019 | 13 mins 45 secs
joe galliano, queer britain
Joe Galliano came up with the idea for Queer Britain, the UK’s national LGBTQ+ museum, during the 50th anniversary of the partial decriminalization of homosexual acts in England and Wales. Discouraged by the focus on male homosexuality and on legislation, he launched a bid to preserve histories that have been ignored or destroyed. If all goes well, the museum will open in London in a few years.
In this episode, Galliano talks about the UK’s history of anti-gay legislation, how he is working to create a ‘catalytic space’ at Queer Britain, and why the medium of museums is right for this project.
The word ‘Queer’ was synonymous with ‘strange’ or ‘weird’, and a common slur thrown at LGBT individuals. Activists in the 1980s reclaimed the word and used it as an umbrella term for a wide range of sexual orientations and gender identities. Nowadays, queer is an increasingly popular way to identify within the community, but as historical traumas persist, and the word can still be found in hostile environments, it’s important to note that not everyone is in agreement. Joe Galliano and Queer Britain use the term as a proud self-identifier, and an intentional move away from using the word ‘gay’, and male homosexuality in general, as a stand-in for all identities.
57. The Colored Conventions Project Resurrects Disremembered History With Denise Burgher, Jim Casey, Gabrielle Foreman, & Many Others
January 28th, 2019 | 15 mins 48 secs
denise burgher, gabrielle foreman, jim casey
In American history most often told, the vitality of Black activism has been obscured in favor of celebrating white-lead movements. In the 19th century, an enormous network of African American activists created a series of state and national political meetings known as the Colored Conventions Movement.
The Colored Conventions Project (CCP) is a Black digital humanities initiative dedicated to identifying, collecting, and curating all of the documents produced by the Colored Conventions Movement.
In this episode, two of the CCP’s co-founders and co-directors, Jim Casey and Gabrielle Foreman are joined by research fellow Denise Burgher to discuss how the project mirrors the energy and collective commitments of the Conventions themselves, how to see data as a form of protest, and creating an a set of organizational principles.
56. Lana Pajdas Trains Her ‘Fun Museums’ Lens to Croatian Heritage Sites, From The Battle of Vukovar to Over-Tourism in Dubrovnik
January 7th, 2019 | 10 mins 49 secs
Lana Pajdas is the founder of Fun Museums, a heritage and culture travel blog with a radical idea: museums are fun. It is the guiding principle of her museum marketing and consulting work.
In this episode, Pajdas describes Heritage Sites in her native Croatia, from the interpretation of the 1991 Battle of Vukovar at the Vukovar Municipal Museum to the Game of Thrones-inspired Over-Tourism in Dubrovnik.
December 3rd, 2018 | 14 mins 58 secs
barbara hicks-collins, bogalusa civil rights museum
Barbara Hicks-Collins grew up in a Civil Rights house in Bogalusa, Louisiana. In her family breakfast room in 1965, her father, the late Robert “Bob” Hicks, founded the Bogalusa chapter of the Deacons for Defense and Justice. The armed self-defense force was formed in response to local anti-integration violence that the local police force complicitly supported.
The house became a communication hub, a safe house, and a medical triage station for injured activists denied medical services at the state hospital. After her father’s death, Barbara Hicks-Collins decided that the house has one more chapter: as the Bogalusa Civil Rights Museum.
In this episode, Barbara Hicks-Collins talks about growing up with the Civil Rights movement in her living room and describes the process, progress, and challenges of today’s Bogalusa Civil Rights Museum project.